Sabrina D'Aloia Contact: sabri_d19@hotmail.com Argentina (+54) (0221-5933516) www.sabrinadaloia.com.ar Sabrina D'Aloia is an artist Platense 25, received his Bachelor of Arts at the University of La Plata. In high school and serves on the Basic Painting, accompanied by the guidance of the Magisterium. Subsequently joined the Faculty of Fine Arts, UNLP, where he graduated with a degree, the Faculty of Fine Arts, and the race for the History of the Arts.

The concept of the work is based on the confrontation that human beings live internally between the id and superego, which represent: the instincts and impulses inherent in consciousness (this); and moral conditions and standards established by the company ("superego") respectively "My work is supported by a load of content, which expresses the existential problems of man in which we are engaged. " According to the artist says: "From the standpoint of formal and symbolic identity translate to humans in close condition. That is, the man and his relationship with yourself, facing your own feelings, his own impotence, their nakedness, their vulnerability and their duality. " The content of the play metaphorically evidence of what human beings feel inside to the outside in realación, Sabrina said: "These human dualities: love-reflection, conscious-unconscious, emotion-reason, this - super me , etc., are fundamental principles that, in my opinion, define the man. " Reflects how is one to himself and as one with the other, emphasizing the moral standards imposed by society as the seizure of instincts play a role internally against this imposition and as both men and women looking for some means to extend the fantasy or darken abruptly repression. The work has formal elements that show man's constant reflection "On the other hand we find the use of" chess "which reinforces this metaphor of war between opposites (so-Super I), the best strategist win the battle. Each form with its meaning and is an indication of one of the two poles "use symbolic elements manifested through figures constructed strictly from the standpoint of anatomy and realistic bill that coexist in a totally abstract and intuitive, the opposite may time, rational forms which tend to rot, fading in space "